Drums on Freedom Rider Traffic

Traffic's self-titled second album is a masterpiece of varying moods and melodies, showcasing the band's ability to blend different genres such as jazz, blues, folk, soul, and rock. Released in 1970, this album marks an important phase in Traffic's career, characterized by their pop-orientated sound.

The album opens with 'John Barleycorn Must Die', a song that may not be long or complex enough to fit into the progressive rock category, but is still a classic track that will appeal to listeners with good taste. Mason and Wood's 'Vagabond Virgin' stands out for its rural feel, while songs like 'No Time to Live' and 'Forty Thousand Headmen' showcase the band's ability to create darker and more serious music.

Capaldi and Winwood's contributions are notable, particularly in tracks like 'Who Knows What Tomorrow May Brings', which features acrobatic vocals, and the psychedelic blues of 'Pearly Queen'. Mason's songs on the album are some of the most immediate, including the cheerful folk rock of 'You Can All Join In' and the soulful 'Feelin' Alright'.

The album also highlights drummer Jim Capaldi's strong involvement in the songwriting process. The band's earlier albums were distinguished by Dave Mason's guitar, vocals, and songwriting skills. Meanwhile, Steve Winwood's voice and organ, along with Chris Wood's sax and flute, are essential elements of Traffic's sound.

One of the key features of this album is its impressive range of variation and mood, with all ten songs featuring memorable melodies and hooks that will stick in your head long after the music has finished playing. This album is a testament to Traffic's ability to evolve and experiment, and it remains one of their finest releases.

Drums on freedom rider traffic